The band's set drew mostly from its latest album, 2013's Exhibitionists, but it also included a song from the group's debut 7-inch, 2010's Urgency, "Hey Big Bang," arguably the most visceral song of the set with strong guitar work from Parkins. As a result, the songs had a light touch that was emotionally involving. John both displayed a focused intensity in their own vocal performances. Sarah Chernoff clearly put real emotional force behind her singing, and Cameron Parkins and Max St. The band's drummer created a textured, syncopated beat that complimented the generally gentle flow of the band's melodies. By the end of Lord Huron's set, people were loving the show and calling for another, not merely one more song, and Lord Huron obliged the crowd with an encore that included "Brother."Įarlier in the night, there was something hazy and calming, melancholy yet uplifting about Superhumanoids' set. The headlining set wasn't much longer than that of Superhumanoids, which opened the show, which seemed like a clear nod to the friendship between the two. The music of Lord Huron carried a sense of earnestness, and the shared enthusiasm of the band and a clear joy in performing the songs elevated the collective experience of the show. See also: Superhumanoids: "We try pretty hard not to make something that's too nostalgic." The band's music, mostly folk and rock-oriented, was guided by Ben Schneider's words, which vividly offered a sense of place, particularly on songs like "I Will Be Back One Day" and "The Ghost On The Shore." Bring a poetic imagination to the lyrics, Schneider eloquently took great care with their delivery. When the members of Lord Huron took the stage, they looked snappy, as though each member had actually taken the time to look like he was in a band but without hitting us over the head with a visual representation.
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